TEATUM JONES
RE-LOVE PT. ONE
“To Re-Love is to see clothes not as a physical garment, but as a memory that can be rewritten time and time again. By treasuring old items in our wardrobe and styling them in new, unexpected ways, we can evoke the past and redefine the future.”
So excited to be a part of the Teatum Jones Re-Love project alongside a host of brilliant, inspiring faces for London Fashion Week. The pandemic has caused widespread disruption for the fashion industry, with orders being cancelled, collections being postponed and little information as to when the usual state of play will resume. In the face of these difficulties, Teatum Jones decided to look critically at the ‘normal’ fashion business model and what our roles as humans should be for the future of our planet.
For Teatum Jones, “Re-Love” is a zero-waste mentality. It’s about moving away from creating everything ‘new’ and instead focusing their efforts on developing bold, beautiful, sustainable and ethical products. With this in mind, designers Rob Jones and Catherine Teatum decided to work with deadstock fabrics— resurrecting their stunning archive of prints and textiles.
As part of the project, they invited activists and fashion insiders to explain what the idea of “Re-Love” meant to them, and to style their Teatum Jones piece with another sentimental item from their wardrobe. When it comes to fashion, for me:
“To Re-Love is to see clothes not as a physical garment, but as a memory that can be rewritten time and time again. By treasuring old items in our wardrobe and styling them in new, unexpected ways, we can evoke the past and redefine the future.”
We were also invited to share our vision for the fashion industry post-pandemic:
“Fashion could be reaching a turning point where empathy and ethical values are prized above all else. Just as we have witnessed throughout the pandemic, the fashion industry must continue to emerge as a space of unity not division.”